The season of 2025/26 includes Alina's house debuts at Theater an der Wien as Adele in Stefan Herheim's new production of 'Die Fledermaus', as well as Oslo Opera, Semperoper Dresden and Staatsoper unter den Linden Berlin (Queen of the Night/ 'The Magic Flute'). In early 2026, she performs Berg's 'Lulu-Suite' and Kurt Weill's rarely performed piece 'Der neue Orpheus' at Wiener Konzerthaus with ORF Radio-Symphonieorchester Wien and Ingo Metzmacher. She will be back at Théâtre des Champs-Élysées and Liceu Barcelona to sing Dorinda in Händel's 'Orlando' with Musiciens du Louvre and Marc Minkowski. In the summer of 2026, Alina sings Zerbinetta in a new production of Richard Strauss' 'Ariadne auf Naxos' at Glyndebourne, directed by Laurent Pelly and conducted by Robin Ticciati.
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In the 2024/25 season, Alina makes her debut at Hamburg State Opera as Ännchen in a new production of 'Der Freischütz', as well as her debut as Morgana ('Alcina') at Staatstheater am Gärtnerplatz in Munich under the baton of Rubén Dubrovsky. She returns to sing Queen of the Night ('The Magic Flute') at Staatstheater am Gärtnerplatz in Munich and Komische Oper Berlin. On tour with Musiciens du Louvre and Marc Minkowski, Alina sings Adele ('Die Fledermaus'), including shows at Festspielhaus Baden-Baden, Teatro del Liceu Barcelona and Teatro de la Maestranza Sevilla, among others. A concert tour with Orchestre des Champs-Élysées and Philippe Herreweghe takes her to France and Italy. Further concerts will take her to Hamburg, Boswil, Vicenza, Heidelberg, Linz and Vienna. In January 2025 Alina makes her house debut at Bayerische Staatsoper Munich at short notice, jumping in as Queen of the Night. In April she jumps in with the same role at Staatsoper Stuttgart.
 
Highlights of recent seasons include a jump-in as Queen of the Night in Glyndebourne/UK in a production by Barbe & Doucet and under the baton of Konstantin Trinks,  Poulenc's 'Gloria' and Orff's 'Carmina Burana' at Wiener Konzerthaus with Tobias Wögerer, Queen of the Night in a new production of 'The Magic Flute', directed by Josef E. Köpplinger and conducted by Rubén Dubrovsky at Staatstheater am Gärtnerplatz in Munich, Glière's 'Concerto for Colouratura Soprano' in Belgrade/Serbia with Gabriel Feltz, a concert with Mozart arias in Perugia/Italy with Enrico Bronzi, and Orff's 'Carmina Burana' at Tonhalle Zurich with Paavo Järvi. Further concerts have taken her to venues including Philharmonie Berlin, Kreuzkirche Dresden, Vienna Konzerthaus, the RheinVokal Festival, and Deutschlandradio's Cologne broadcasting centre.
 
Alina has worked with conductors such as Marc Minkowski, Philippe Herreweghe, Paavo Järvi, Rubén Dubrovsky, Konstantin Trinks, Yoel Gamzou and directors such as Lydia Steier, Josef E. Köpplinger, Andreas Kriegenburg, Ben Baur, Michael Hampe and Peter Konwitschny.
 
During her studies, she sang at the Lied.lab of Heidelberger Frühling festival and at Konzerthaus am Gendarmenmarkt in Berlin. She made her opera debut in the title role of 'Ritter Parceval' at Philharmonie Berlin. She was a scholarship holder of Live-Music-Now Yehudi Menuhin Rhein-Neckar, the Richard Wagner Association Heidelberg and the Handel Academy of the International Handel Festival Karlsruhe, and a special-prize-winner at Concours International de Chant Marmande, France. 
 
She first studied musicology in Frankfurt, then singing and vocal pedagogy with Rudolf Piernay and Snežana Stamenković at Mannheim University of Music. She worked on contemporary repertoire in particular with the soprano Caroline Melzer.
 
Alina was born in Frankfurt am Main and received piano, drums and guitar lessons during her school years. She also sang jazz and was a member of the Frankfurt Opera Children's Choir.